Based on physics simulations of acoustic instruments, Mudd’s music rubs algorithmic computer music against the cultures of practice that surround the acoustic instruments. Explored with brass instruments on 2019’s Brass Cultures, and with string instruments on 2023’s Guitar Cultures, the work “treats synthesis as a warped mirror in which is reflected our actual mode of being, which itself bears the obscured histories and origins of the sound-making apparatuses themselves.” – Sunik Kim, liner notes to Guitar Cultures release.
Tom Mudd makes music with computers, exploring relationships between software and music, software as material, and the histories and cultural life of synthesis processes. Recent work has revolved around physical models: digital synthesis processes based on physical simulations of acoustic objects and instruments. Earlier work explored digital synthesis as chaotic systems that can be prodded and provoked by the performer.
© Šimon Lupták